Narrative in Contemporary Architecture: A Heideggerian Phenomenological Reading


Articles in Press, Accepted Manuscript
Available Online from 15 November 2025

Document Type : Original Research Article

Authors

1 Department of Architecture, ST.C., Islamic Azad University, Tehran, Iran.

2 Department of Landscape, Faculty of Architecture, College of Fine Arts,University of Tehran, Tehran, Iran

3 Department of Architecture, YI.C., Islamic Azad University, Tehran, Iran.

4 Department of Architecture, Qo.C., Islamic Azad University, Qom, Iran.

Abstract
Abstract
Problem Statement:
In contemporary architecture, a kind of semantic isolation is observed that reduces architecture to a merely physical object and weakens its connection with human experience and meaning. This challenge highlights the necessity of reinterpreting architecture from a phenomenological perspective so that spaces may become a ground for the manifestation of Being and the Lifeworld. Heideggerian phenomenology, with its emphasis on concepts such as Dasein and Dwelling, provides a framework for a deeper understanding of this relationship.
Research Question:
What structures and features characterize narrative architecture?
Purpose:
The purpose of this study is to elucidate the fundamental categories of narrative architecture from a Heideggerian phenomenological perspective and to examine their reflection in the human Lifeworld. The study also aims to provide a theoretical framework for liberating contemporary architecture from semantic isolation and reinforcing the bond between human beings and their environment.
Methodology:
This research employed a systematic literature review using the meta-synthesis method and content analysis, based on the model of Sandelowski and Barroso. The research corpus consisted of 57 scientific articles published between 2000 and 2025 in databases such as Scopus, Web of Science, and Google Scholar, selected according to defined inclusion criteria. The data were qualitatively coded through thematic analysis and categorized into ten main categories.
Findings and Conclusion:
The findings identified ten categories—identity and meaning, historical narrative and heritage, sensory and perceptual experience, user interaction with space and context, narrative structure and form, symbolic expression, thematic and contextual narratives, integration and synthesis in design, interaction with context and society, and quality of life and architect’s identity. These categories overlap with Heideggerian concepts such as Being-in-the-world and Care, demonstrating that narrative architecture can enrich the Lifeworld and contribute to the creation of meaningful and identity-giving spaces.

Keywords