Berman, M. (1988). All that is Solid Melts Into Air: The Experience of Modernity. USA and Canada: Penguin Books.
Berman, M. (2021). All that is Solid Melts into Air: The Experience of Modernity (M. Farhadpour, Trans.). Tehran: Tarh-e Naghd. [in Persian]
Andreotti, L., Lahiji, N. (2016). The Architecture of Phantasmagoria: Specters of the City. London and New York: Routledge
Davaei, P. (1981). Mo’arrefi va Naghd-e Film-ha-ye Amir Naderi [Introduction and Criticism of Amir Naderi’s Film] (Gh. Heidari, Ed.). Tehran: Soheil. [in Persian]
Elliot, B. (2020). Benjamin for Architects (E. Hanif, Trans.). Tehran: Fekr-e No. [in Persian]
Emadian, B. (2019). Natural History of Decay, Reflections on the Ruined Subject. Tehran: Bidgol.
Enjuto-Rangel, C. (2007). Broken Presents: The Modern City in Ruins in Baudelaire, Cernuda, and Paz. Comparative Literature, 59 (2),140-157.
Fraser, E. (2012). Interrupting Progress: Ruins, rubble and catastrophe in Walter Benjamin’s History. Unpublished Master of Arts Thesis in Humanities and Social Sciences. University of Technology, Sydney.
Ginsberg, R. (2004). The Aesthetics of Ruins. Amesterdam – New York: Rodopi.
Habibi, M., Farahmandian, H., Pourmohammadreza, N. & Shokouhi Bidhendi, S. (2015). Khatere-ye Shahr, Bazkhani-ye Cinematographic-e Shahr-e Irani Dahe-ha-ye 1340-1350 [The Memory of the City, Cinematographic Rereading of Iranian City from 1960s to 1970s]. Tehran: Nahid.
Haghir, S. & Kamelnia, H. (2021). Nazarieh-e Modernite dar Memari-e Iran [Theory of Modernity in Iran’s Architecture]. Tehran: Fekr-e No.
Harvey, D. (2003). Paris Capital of Modernity. New York & London: Routledge.
Hell, J. & Schönle, A. (2010). Ruins of Modernity. Durham & London: Duke University Press.
Huyssen, A. (Spring 2006). Nostalgia for the Ruins. Grey Room, (23), 6-21.
Jahed, P. & Karkhani, M. (2017). Az Cinema-ye Western ta Cinema-ye Mowj-e No va Khiabani [From Western Cinema to New Wave and Street Cinema]. Shargh Newspaper, Saturday, August 26th (2946).
Leslie, E. (2006). Ruin and Rubbles in the Arcades, 5th chapter of Walter Benjamin and the Arcades Project (B. Hanssen, Ed.). London & New York: Continuum International Publishing Group.
Mennel, B. (2008). Cities and Cinema. USA and Canada: Routledge
Moosavi, V., Purrezaian, M., Shahba, M. & Rouhani, A. (2020). Style and Genre in the Iranian Art Cinema (Case Studies: Brick and Mirror, Siavash in Persepolis, Still Life, and Requiem). Name-ye Honarha-ye Namayeshi va Mosighi, 10(19), 83-99.
Moya Pellitero, A. M. (2007). The image of the urban landscape: the re-discovery of the city through different spaces of perception. Unpublished PhD thesis, Eindhoven University of Technology. Retrieved May 5, 2021, from https://doi.org/10.6100/IR625254
Naficy, H. (2011). A Social History of Iranian Cinema, volume 2 (The Industrial Years, 1941-1978). Durham and London: Duke University Press.
Okhowatt, A. (2017). NaRasmiaat-e Shahri [The non-officiality of the city]. Jostarha-ye Shahrsazi, (47), 10-14.
Pacione, M. (2013). Problems and Planning in Third World Cities. Oxford, USA & Canada: Routledge.
Parfitt, T. (2002). The End of Development? Modernity, Post-Modernity and Development. London: Pluto Press.
Papoli Yazdi, A. (2020). Strait, Rahnama-ye Film-e Cinema-ye Iran. V. 1 (1930-1982). [Iran’s Cinema Movie Guide]. Tehran: Rozane-ye Kar.
Sarrafi, M. & Rezazadeh, S. M. (2017). Morori bar Ghava’ed va Siasat-ha-ye Barname-rizi-ye Towse’e-ye Zamin va Maskan-e Shahri (Ba Ta’kid bar Navahi-ye Nabesaman va Baft-ha-ye Farsoude-ye Shahri) [A Review on the Rules and Policies of Land Development and Urban-Housing Planning (With Emphasis on Disorderly Areas and Decayed Urban Texture)]. Jostarha-ye Shahrsazi, (47), 10-14.
Sotoudeh, S., Sayyad, A. & Sotoudeh, M., (2022). Phantasmagoric Manifestations of the Modern City During the Pahlavi Era and Its Representation in Brick and Mirror. Quarterly Review of Film and Video. Retrieved May 6, 2022, form https://doi.org/10.1080/10509208.2022.2064185 .
Tousi, J. (1990). Tarikh-e Tahlili-ye Sad Sal Cinema-ye Iran [The Analytical History of Iran’s one-hundred-year Cinema]. Tehran: Dafter-e Pajouhesh-ha-ye Farhangi.
Von Moltke, J. (2010). Ruin Cinema. Durham & London: Duke University Press.
Whitehouse, T. (2018). How Ruins Acquire Aesthetic Value: Modern Ruins, Ruin Porn, and the Ruin Tradition. Switzerland: Palgrave Macmillan.