An Analysis of Theoretical Foundations in Sound and Place Studies From Architectural Acoustics to Auditory Place

Document Type : Research Article

Authors

1 PhD Researcher, Department of Architecture, Faculty of Architecture and Urban Planning, Shahid Beheshti University. Tehran, Iran.

2 Assistant Professor, Department of Architectural Studies and Restoration, Faculty of Architecture and Urban Planning, Shahid Beheshti University. Tehran, Iran.

Abstract

 
Problem statement: The relation between hearing sounds and architecture is one of the neglected matters in studying the embodied experience of architecture. Accordingly, this paper addresses the relation between hearing sounds and place.
Research objective: To explore the whatness of the ‘auditory experience of place,’ this paper examines the diverse ways of thinking about the relation between sound and place through academic disciplines.
Research method: The paper introduces the intellectual foundations and content of these disciplines in a historical context by referring to diverse texts of the field. Therefore, the paper is based on “inquiry-based” research rather than a “hypothesis-based” one.
Conclusion: The analysis indicates three approaches: physical, psychological, and phenomenological. The paper begins with architectural acoustics, which is the starting point of studying sound and architecture in the field of building physics and indicates a conceptual turn in the studies from ‘sound’ in sciences (like acoustics, architectural acoustics, and psychoacoustics) into ‘hearing’ in human studies. Human-oriented sound studies include two main approaches: psychological approach, in the soundscape and its sub-disciplines like acoustemology and acoustic ecology as well as aural architecture; and phenomenological approach, in auditory place studies. Finally, the analytical comparison and a conclusion of these approaches indicate the movement of thought in these studies from quantity (in architectural acoustics aimed at sound control) toward quality (in the soundscape and aural architecture aimed at sound design) and more toward wholeness (in auditory place aimed at auditory understanding of place.)

Keywords


Barkashli, M. (1956). Tahghighat-e Elmi Darbare-ye Acoustic-e Teatr-ha-ye Ghadim [Scientific researches about the acoustics of old theaters]. Majalle-ye-Moosighi, 3 (5), 6-19.
Barkashli, M. (1957). Eslah-e Acoustic-e Talar [Correction of the acoustics of a hall]. Majalle-ye-Moosighi, 3 (10), 5-12.
Beranek, L. (2004). Concert Halls and Opera Houses. New York: Springer.
Blesser, B. & Salter, L. (2007). Spaces Speak, Are You Listening? Experiencing Aural Architecture. Cambridge/ London: The MIT Press.
Bohme, G. (2017). The Aesthetics of Atmospheres. London/ New York: Routledge.
Casati, R. & Dokic, J. (1994). La philosophie du son. Nîmes: Chambon.
Doughty, K., Duffy, M. & Harada, T. (Eds.). (2019). Sounding Places: More-than-representational geographies of sound and music. Edward Elgar Publishing.
Egan, M. D. (2007). Architectural Acoustics. J. Ross Publishing.
Everest, F. A. & Ken C. P. (2014). Master Handbook of Acoustics. (6nd ed.). New York: Mc Graw Hill.
Farina, A. (2014). Soundscape Ecology: Principles, Patterns, Methods and Applications. New York/ London: Springer.
Feld, S. (2012). Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression. (3nd ed.). Durham/ London: Duke University.
Ghaffari, A., Ghalenoei, M. & Mohsen Haghighi, N. (2017). Positive Soundscape in Urban Space. Manzar, 9(39), 30-37.
Haghdoost, Gh. (1998). Music House of Iran. (Unpublished master) Thesis of Architecture. Faculty of Architecture and Urban Design. Shahid Beheshti University, Tehran, Iran.
Ibn Sina. (1984). Ravanshenasi-ye Shafa [Psycology of Shafa] (A. Danaseresht, Trans.). Tehran: Amirkabir.
Ihde, D. (1976). Listening and Voice, A Phenomenology of Sound. Athens: Ohio University Press.
Invisible  Places: Sound, Urbanism and Sense of Place. (2014). Conference Proceedings. Viseu, Portugal.
Invisible Places: Sound, Urbanism and Sense of Place. (2017). Conference Proceedings. São Miguel Island, Azores, Portugal.
Kinsler, L. E. & Frey, A. R. (1950). Fundamentals of Acoustics. (Z. Esmaeelbeigi & Gh. A. Liaghati, Trans.). Tehran: Amirkabir.
Kuttruff, H. (2009). Room Acoustics. (5nd ed.). London/ New York: Spon.
Labelle, B. (2010). Acoustic Territories: Sound Culture and Everyday Life.  New York/ London: Continuum.
Long, M. (2006). Architectural Acoustics. Burlington: Elsevier Academic.
Novak, D. & Sakakeeny, M. (2015). Acoustemology. In Keywords in sound. Durham and London: Duke University Press.
O’Callaghan, C. (2007). Sounds: A Philosophical Theory. Oxford/ New York: Oxford University.
Pallasmaa, J. (2012). The Eyes of the Skin: Architecture and the Senses. John Wiley & Sons Ltd.
The United Nations Educational, Scientific and Cultural Organization (UNESCO). (1976). Mahnameh-ye Payame-e UNESCO, 8 (85), 4-35.
Pentcheva, B. V. (2011). Hagia Sophia and Multisensory Aesthetics. Gesta, 50 (2). 93-111.
Riedel, F., & Torvinen, J. (Eds.). (2020). Music as atmosphere: collective feelings and affective sounds. New York: Routledge.
Rossing, T. D. (ed.). (2007). Springer Handbook of Acoustics. New York: Springer.
Sabeti, E. (2005). Performance Space for Iranian Music; A research to Establish Design Criteria. (Unpublished master Thesis of Architecture). Faculty of Architecture and Urban Design, Shid Beheshti University, Tehran, Iran.
Sabine, W. C. (1922). Collected Papers on Acoustics. Cambridge: Harvard University.
Schafer, R. M. (1977). Soundscape: Our Sonic Environment and the Tuning of the World. New York: Alfred Knopf, Inc.
Schafer, R. M. (1994). Soundscape: Our Sonic Environment and the Tuning of the World. (2nd Ed.). Rochester, Vermont: Destiny Books.
Schafer, R. M. (2013). Soundscape Studies: the Early Days and the Future. Soundscape, 12 (1), 6-8.
Semiari, A., Esmaielzade Seilabi, A. & Pasban Hazrat, B. (2020). Elaborating Landscape Representation Approach Based on Aural Perception Description of a Pedagogic Experience in Landscape Representation Course.  Architecture and Urban Planning, 13(28), 115-133.
Sterne, J. (ed.). (2012). Sound Studies Reader. London/ New York: Routledge.
Truax, B. (1984). Acoustic Communication. Norwood: Ablex Publishing.
Vitruvius. (2009). The Ten Books on Architecture (R. Fayyaz, Trans.). Tehran: Art University.
Weitze, C. A., Rindel, J. H., Christensen, C. L. & Gade, A. C. (2002). The acoustical history of Hagia Sophia revived through computer simulation. Retrived from http://webistem.com/acoustics2008/acoustics2008/cd1/data/fa2002-sevilla/forumacusticum/archivos/rba05010.pdf
Woszczyk, W. (2014). Acoustics of Hagia Sophia. Virtual and scientific approach to humanities and sacred space. in Aural Architecture: Music, Acoustics, and Ritual. Onassis Seminar on music, acoustics, and ritual. Stanford University.