Ahmadi, B. (2006). From Pictorial Signs to the Text (Toward the Semiotics of Visual Communication). Tehran: Markaz.
Baharlou, A. (2006). Akkasi dar Cinema-ye Iran [Photography in Iranian Cinema]. Aksnameh, 9(21), 1-13.
Bidokhti, M., Ayatollahi, H., Alemi, A. & Namvar Motlagh, B. (2011). Applying the Genetic Criticism in Photography (Analysis of its possibilities and methods). HONAR-HA-YE-ZIBA, 2(44), 59-70.
Campany, D. (2016). Photography and Cinema. Tehran:Markaz.
Chandler, D. (2015). Semiotics: the Basics. Tehran: Soore-ye Mehr.
Clarke, G. (2014). The Photograph. Tehran: Shourafarin.
Emami, H. (Trans.) (2019). Joseph Koudelka and the Ulysses’ Gaze. Retrieved 25.05.2020 from https://www.aftabnetdaily.ir /ژوزف-کودلکا-و-نگاه-خیرهی-اولیس/
Fiske, J. (2007). Television Culture (M. Boroumand, Trans.). Arghanoon, 19(2), 125-142.
Ghazbanpour, J. (2016). Life, and Nothing More. Tehran: Tiss Publisher.
Ghazbanpour, J. (2019). Personal interview (conducted in 09.10.2019).
Koudelka, J. (1995). Periplanissis: Following of Ulysses’ Gaze. Thessaloniki: Thessaloniki Film festival.
Lebrave, J. L. (1992). La critique génétique, in La Revue. Genesis, (1), 33-72.
Masbough, A. (2014). Koli-ha-ye gharib va Koudelka-ye ghorbati [Strange gypsies & nomadic Koudelka]. Chideman Visual Art Magazine, 3(7), 46-49.
Moghimnejad, M. (2014). Photography and theory: structuralism and poststructuralism. Tehran: Soore-ye Mehr.
Namvar Motlagh, B. & Asadollahi, A. (2009) Genetic Criticism. Tehran: Elmi Farhangi Publication.
Stam, R. (2004). Film Theory: An Introduction (E. Noroozi, Trans.). Tehran: Soore-ye Mehr.
Tadie, J. Y. (1999). Literary Criticism in 20th Century (M. Nonahali, Trans.). Teharn: Niloofar Publications.