Abdollahi, A. H. (2010). Epistemological Approach to the Imaginaire and the Intermediate World from Ibn Arabi’s Point of View. Philosophical Meditations, 2(7-8), 113-139.
• Ahle Sarmadi, N. (2009). From The Imaginary Cognition to The Imaginal World: A Survey of The Place of Images in Suspense in Suhraward’s Philosophy. Ayeneh Marefat, (18), 59-82.
• Ahle Sarmadi, N. (2010). Mas,ale-ye Khiyal Az Didgah-e Ibn ArabiThe Problem of Imagination From Ibn Arabi’s point of view. Marefat, 19(155), 69-80.
• Akbari, A. & Falamaki, M. (2018). Image & Memory Management in Architectural Design Process. Anthropological Research, 7(2), 117-133.
• Akbarian, R. (2009). The Faculty of Imagination and the World of Imaginal Form. Islamic Philosophical Doctrines, 5(8), 3-32.
Alaçam, S., Güzelci, O. Z., Gürer, E. & Bacınoğlu, S. Z. (2017). Reconnoitring computational potentials of the vault-like forms: Thinking aloud on muqarnas tectonics. International Journal of Architectural Computing, 15 (4), 1-19.
• Alavizadeh, F. & Taghavi, M. (2009). A comparative study of the concept of imagination from the viewpoints of Ibn-e-Arabi and Mowlana. New Literary Studies, 42(3), 111-128.
• Amini, S., Falamaki, M. M. & Keramati, G. (2019). Typology of imagination in the process of architectural design. Bagh-e Nazar, 16(72), 53-64.
• Amir Ashayeri, S., Belilan Asl, L., Sattarzadeh, D. & Habib, F. (2020). Explaining the Role of Geometry and Imagination in Creation of Unique Architectures. Kimiya-ye-Honar, 36(9), 75-91.
• Ahmadi Disfani, Y. (2013). Bazkavi-ye Naghsh-e Aghl Va Khiyal Dar Amoozesh-e Farayand-e Tarahi-ye Memari Investigating the role of reason and imagination in the architectural design education process. The Knowledge Studies in The Islamic University, 17(3), 497-518.
• Ansari, M. & Mahmoodi-Nejad, H. (2007). Bagh-e Irani Tamsili Az Behesht Ba Takid Bar Arzesh-ha-ye Bagh-e Irani Doran-e Safavi Iranian Garden, An Allegory of Heaven, With Emphasize The Values of The Persian Garden during The Safavid Era. Journal of Fine Arts: Architecture and Urban Planning, 29 (29), 39-48.
• Ardalan, N. & Bakhtiyar, L. (2011). The sense of unity: the Sufi tradition in Persian architecture (V. Jalili, Trans.). Tehran: Elme Memar.
• Azarfar, M. (2013). The Power of Imagination and The World of Imagination: The Origin of the Creation of an Artwork in Islamic Art, Case Study: Sheikh Lotfollah Mosque. Unpublished MA thesis, Department of Art & Architecture, Tehran Branch, Islamic Azad University, Tehran, Iran.
• Bakhtiar, L. & Nader, A. (1973). The Sense of Unity : the Sufi tradition in Persian architecture. . Chicago: University of Chicago Press.
• Corbin, H. (1977). Three philosophers of Azerbaijan: Suhrwardi, Javad Tabrizi, Rajab Ali Tabrizi. (S. M. Gharavi, Trans.). Persian Language and Literature, 29 (122), 161-196.
Critchlow, K. (2012). The Hidden Geometry of Flowers Living Rhythms, Form and Number .Floris Books.
• Chittick, W. C. (2013). The Heart of Islamic Philosophy: The Quest for Self-knowledge in The Teachings of Afdal al-Din Kashani. (Sh. Abbasi, Trans.). Tehran: Morvarid.
• Chittick, W. C. (2014). Ibn Arabi: Heir to the Prophets. (M. Suri & E. Alikhani, Trans.). Tehran: Elmi va Farhangi.
• Chittick, W. C. (2015). Imaginal Worlds: Ibn al-Arabi and the problem of religious diversity (Gh. Kakaei, Trans.). Tehran: Hermes.
• Dinmohammadi, A. I. & Hosseini Gheydari, F. (2014). The Parable (Fiction) Universe in Mohyeddin Ibn Arabis Mystical School. Islamic Mysticism, 9(36), 195-219.
• Ebrahimi Dinani, Gh. H. (2002). Imaginary perception and art. Khiyal, 2(1), 6-11.
• Ebrahimi, F. (2010). Ayein-e Nozayi-ye Tabi’at; Bargozarye Marasem-e Norouz Bar Roye Takht-e JamshidThe Ritual of Rebirth of Nature; Holding Nowruz Ceremony on Persepolis. Manzar, 1(5), 58-61.
• Ebrahimi, N. (2015). Mardi Dar Tab’id-e Abadi Bar Asas-e Dastan-e Zendegi-ye Mullah Sadra Shirazi [A Man in Eternal Exile: Based on The life Story of Mullah Sadra Shirazi Sadrul Matalhin]. Tehran: Fekr-e Rooz.
• Elahimanesh, R. & Roodgar, M. (2014). The Place of Medial Worlds in Mystical Ontology and Epistemology, and Art. Contemporary Wisdom, 5(1), 1-28.
• Hashem Nezhad, H. (2016). Origin of Art in Mullsadra’s Point of View. Philosophy, 14(1), 109-126.
• Hekmat, N. (2005). Theosophy and art in Ibn al-’Arabi mysticism: love, beauty and bewilderment. Tehran: Art Academy.
• Ibn Arabi, M. & Mahmood Al-Gharab, M. (2016). Naqsh-e-Khiyal [Andishe-ha-ye Ibn Arabi Dar Bab-e Khiyal) The Role of Imagination (Ibn Arabi’s Thoughts On Imagination] (M. Farahmand, Trans.). Tehran: Jami.
• Kamali Dolatabadi, R. (2017). Bazkhani-ye Erfani-ye Mabani-ye Honar-ha-ye Tajasomi [Mystical readout of the basics of visual arts]. Tehran: Surah Mehr.
• Madadpour, M. (2003). The meaning of imagination in traditional and modern arts. Binab, (3-4), 184-195.
• Maftouni, N. (2013). The Foundations and Consequences of Suhrawardi’s Theory of Imagination. Philosophy and Kalam, 46(1), 133-146.
• Maftouni, N. & Faramarz Gharamaleki, A. (2007). Jaigah-e Khiyal Dar Nezam-e Fekri Va Falsafi-ye Farabi The place of imagination in Farabi’s philosophical system. Maqalat Va Barrasi-ha, 40(2), 97-112.
• Mahmoodi-Nejad, H., Pour-Ja’far M., Bemaniyan, M. & Ansari, M. (2008). Garden Carpet: From the Picture of “A Carpet from Empyrean” To the Design of “An Empyrean on the Carpet”. Goljaam, 3(8), 107-124.
• Rumi, J. M. B. (2000). Masnavi. Tehran: Negah.
• Rumi, J. M. B. (2017). Fihi Ma Fihi. Tehran: Amir Kabir.
• Miraakhori, Gh. (2017). Ibn Arabi Che Migoyad, Didgah-ha-ye Nahan-Kishi-ye Ibn Arabi [What does Ibn Arabi say: the hidden views of Ibn Arabi]. Tehran: Fehrest.
• Nadimi, H. (1999). Haghighat-e Nagsh The truth of the motif. Academy of Sciences. 14 (6), 19-34.
• Nasr, S. H. (2013). The essential Seyyed Hossein Nasr. (M. Najafi-Afra, Trans.). Tehran: Jami.
Nasr, S. H. (2015). Three Muslim Sages: Avicenna, Suhrawardi, Ibn Arabi (A. Aram, Trans.). Tehran: Scientific and Cultural Publishing Company.
• Nemati, M. & Shahlaei, A. (2015). Analytic Study of Mosque Architecture in “Shabistani” and “FourIwan” Styles (Case Study: the Great Mosque of Isfahan). Hoviatshahr, 9(22), 75-86.
• Nikravesh, R. & Sabernejad, Zh. (2019). Recognizing the Position of Imagination in Architecture Based on Masnavi Manavi. Journal of Mytho-mystic Literature, 15 (56), 281-310.
• Palangi, M. & Mohamadnejad, Z. (2019). Imaginal perception as a Bilateral Relationship between the Soul and Imaginal World According to Suhrawardi. Sophia Perennis, 15(34), 39-56.
• Parvin Peyrovani, L. (2002). Nazarat-e Mulla Sadra Darbare-ye Edrak-e Khiyal-i Va Alam-e Khiyal Mulla Sadra’s Comments about Imaginary Perception and Imaginary World. Kheradname-ye Sadra, (29), 87-95.
• Sahhaf, S. M. K. (2016). Meaning in Iranian Architecture. Hoviatshahr, 10(1), 51-60.
• Sepehri, N. (2021). The Usages of Mandala in Iranian Architectural Spaces. Submission to Academia Letters, 1-8.
• Setavin (2021). Orosi, a brilliant example of geometric decorations in the Persian architecture. Retrieved May 5, 2023 from https://setavin.com/4587-Arsi-,-Darakhshan-Example-of-Geometric-Decorations-in-Iranian-Architecture.
• Shajari, M. & Mohamadalizadeh, J. (2012). The connection of human beings’ levels and the degrees of existence in Mulla Sadra. Religious Anthropology, 9(27), 5-27.
• Tahbaz, M., Humani Rad, M. & Tamleh, H. (2015). An Introduction to the Measuring Light Quality Method (HDR Photography) Using Daylight Technique Approach to Create Spatial Spiritualism in Sheikh Lotfollah and Imam Mosques in Isfahan. Armanshahr Architecture & Urban Development, (8), 15-26.
• Taheri, M. & loni, M. (2017). Imagination in Islamic philosophy and abstract art. The second International Conference on Socio-cultural Studies and Religious Research. Rasht,
• Vosoughzadeh, V., Hassanipnah, M. & Aalikhani, B. (2017). Wisdom of number Eight in art and Islamic Architecture. Sophia Perennis, 13(30), 175-192.
• Yazdani, A. (2011). The Comparison of Ibn Sina and Molla Sadraâs Views Concerning the Immateriality of the Imagination and its Relation to Bodily Resurrection. Comparative Theology, 2(6), 95-108.
• Zabeti, S. (n.d). Haj Agha Ali House, Rafsanjan, Retrieved May 8, 2023, from https://gardeshgari724.com/attractions/khaneh-haj-agha-ali/899#close-attr
• Zamani, M. & Akbari, A. (2022). The effect of Sarakhs plain climate on the formation of Robat Sharaf anatomy to achieve thermal comfort. Iranian Civilization Research, 3(2), 135-169.