Abeddoost, H. & Kazempour, Z. (2010). Tadavom-e Hayat-e Sphanx-ha va Harpey-ha-ye Bastani dar Honar-e Dore-ye Eslami [Continuation of Presence of Ancient Sphinxes and Harpeys in the Art of Islamic Era]. Negareh, 4 (13): 81-92.
Calmeyer, P., Trümpelmann, L. & Zick-Nissen, J. (1972). Das Tier in der Kunst Irans. Stuttgart: linden –museum.
Carstens, A. M. (2010). The Labraunda Sphinxes. Achaemenid impact in the Black Sea, Communication of powers, Aarhus.Aarhus University Press, (11): 41-46.
Chevalier, J. & Gheebrant, A. (2005). Dictionnaire des symboles. Translated by Fazaeli, S. Tehran: Jeihoon Pub. Co.
Dadvar, A. & Mansouri, E. (2006). ِDaramadi bar ostoore-ha va namad-ha-ye Iran va Hend dar ahd-e bastan [Introduction to Myths and Symbols of Ancient Iran and India]. Tehran: Alzahra University Press.
Debucourt, M. D. (1994). Les symboles vivants. Translated by Sattari, J. Tehran: Nashre-Markaz.
Dehkhoda, A. A. (1994). Dehkhoda’s Dictionary, under the supervision of Dr. Moein, M. and Dr. Shahidi, S.J. 2nd ed. Tehran: Institute of Publications and Printing of Tehran University.
Dondis, D. A. (2010). A Primer of Visual Literacy. Translated by Sepehr, M. Tehran: Soroush Pub. Co.
Dusinberre, E. (2008). Circles of Light and Achaemenid Hegemonic Style in Gordion’s Seal 100. Classics Faculty Contributions, 3 (3): 87-98.
Godard, A. (1998). Honar-e Iran [The Art of Iran]. Translated by Habibi, B. Tehran: Shahid Beheshti University.
Grabar, O. (2006). The Cambridge History of Iran, Visual Arts. Vol. 4. Translated by Anousheh, H. Tehran: Amir Kabir Publishing press.
Guratola, G. (2006). Persian Ceramics from the 9th to the 14th Century. Italy: Skira Editore S.P.A.
Hall, J. (2014). Illustrated Dictionary of Symbols in Eastern and Western art. Translated by Behzadi, R. Tehran: Farhang Moaser.
Herzfeld, E. (2002). Iran in the Ancient East. Translated by Sanatizadeh, H. Tehran: Institute for Humanities and Cultural Studies and University of Kerman.
Hillenbrand, R. (2007). Islamic Art and Architecture. Translated by Eshraghi, A. Tehran: Rowzaneh.
Hofmann, A. (2009). Foundations in the Visual Arts. Translated by Arshadi, M. Tehran: Aban.
Hoseyny, H. (2013). Reflection and Analyses of Composed Animals in Islamic Pottery of Iran. HONAR-HA-YE-ZIBA, 17(4): 45-54.
Jung, C. G. (2010). Man and his Symbols. Translated by Soltanieh, M. Tehran: Jami.
Oney, G. (2016). Reflection of Ghaznavid Palace Decoration On Anatolian Seljuk Palace Decoration. Sanat Tarihi Dergisi, 3 (3): 133-141.
Pahlavan, F. (2011). Visual Communication from Perspective of Semiotics. Tehran: University of Art Publication.
Porada, E. (2004). The Art of Ancient Iran; Pre-Islamic Cultures. Translated by Majidzadeh, Y. Tehran: University of Tehran.
Sharp, R.N. (1973). Firmānhā-Yi Shāhinshāhān-I Hakhāmanishī, Shiraz: 2,500-year celebration of the Persian Empire Publication.
Sidiqian, M. (2007). Dictionary of Iranian Epic, Vol.1. Tehran: Institute for Humanities and Cultural Studies.
Taheri, A. (2012). The Study on The Physical Structure of Buraq in Iranian Painting. Naghsh Mayeh, 5 (10): 15-24.