Nazar Research Center for Art, Architecture and Urbanism (NRC)The Monthly Scientific Journal of Bagh-e Nazar1735-96352420060220Saheb-Abad Garden in Tabriz CitySaheb-Abad Garden in Tabriz City312125FAAmirBani MasoudJournal Article20111011Saheb-Abad Garden of Tabriz, is one of the most important architectural building of the Aq-quyunlu era (1373- 1501 A.D.). Saheb Abad Garden & its square constructed in a specific period with a pre-designed plan & according to the specific socio-politic conditions. Comparison of the remained resources, including daily notes of the tourists, drawn maps and the oldest available map of Tabriz city (Metrakchy map, 1537-1538 A.D.) and reconstruction of the comp;ex, shows that, this complex most probably, is the first sample of urban development in Iran on non-organic basis.Saheb-Abad Garden of Tabriz, is one of the most important architectural building of the Aq-quyunlu era (1373- 1501 A.D.). Saheb Abad Garden & its square constructed in a specific period with a pre-designed plan & according to the specific socio-politic conditions. Comparison of the remained resources, including daily notes of the tourists, drawn maps and the oldest available map of Tabriz city (Metrakchy map, 1537-1538 A.D.) and reconstruction of the comp;ex, shows that, this complex most probably, is the first sample of urban development in Iran on non-organic basis.https://www.bagh-sj.com/article_125_3def184ad8f4755ff269862ea77393dd.pdfNazar Research Center for Art, Architecture and Urbanism (NRC)The Monthly Scientific Journal of Bagh-e Nazar1735-96352420060220Design thinking in architectural design processDesign thinking in architectural design process1323126FAMohsenFeiziMahdiKhakzandJournal Article20111011Abstract: In order to be successful as instructional designers, we engage in a unique creative process through which we form a bond with the learners we serve. Through design we create and deliver value in the form of learning products and activities that are constructive, effective and efficient. Achieving this value proposition requires the skill of "design thinking." "Design Thinking" is not necessarily related to architectural design. As a matter of fact "Design Thinking" is a requirement for people of every nationality, as it is considered an attempt towards cultural evolution. In "Design Thinking" mind is trained to question, reason and approach each concept as if it was a mathematical problem! One approach to design thinking is to extract the features of the designer's strategic knowledge, for which comparative studies between expert designers and novices are useful. Also, controlled experimental studies may be adopted in order to understand the nature of the idea generation process. It is obvious that: "Design Thinking" could be the foundation of a great revolution in Iranian architecture.Abstract: In order to be successful as instructional designers, we engage in a unique creative process through which we form a bond with the learners we serve. Through design we create and deliver value in the form of learning products and activities that are constructive, effective and efficient. Achieving this value proposition requires the skill of "design thinking." "Design Thinking" is not necessarily related to architectural design. As a matter of fact "Design Thinking" is a requirement for people of every nationality, as it is considered an attempt towards cultural evolution. In "Design Thinking" mind is trained to question, reason and approach each concept as if it was a mathematical problem! One approach to design thinking is to extract the features of the designer's strategic knowledge, for which comparative studies between expert designers and novices are useful. Also, controlled experimental studies may be adopted in order to understand the nature of the idea generation process. It is obvious that: "Design Thinking" could be the foundation of a great revolution in Iranian architecture.https://www.bagh-sj.com/article_126_069059b7ef840f0c74a814ec9237b6ec.pdfNazar Research Center for Art, Architecture and Urbanism (NRC)The Monthly Scientific Journal of Bagh-e Nazar1735-96352420060220humanism concept of spacehumanism concept of space24411506FAMonaKabianJournal Article20120723https://www.bagh-sj.com/article_1506_b5488aeff42889188d03c9895255cecc.pdfNazar Research Center for Art, Architecture and Urbanism (NRC)The Monthly Scientific Journal of Bagh-e Nazar1735-96352420060220Aesthetics of Obscenity
(A Deliberation on the Origin of Comedy)Aesthetics of Obscenity
(A Deliberation on the Origin of Comedy)42491507FAAta - OllahKoupalJournal Article20120723Athenian comedy based on a few ancient texts that is now available , is full of aspersion indecency against political characters and ancient Greek government . But because of this obscenities we should not consider this comedy as a worthless drama and not artistic . Aristophanes is the only comedy writer in the golden age of Greece that his works are available these days although his comedy is full of obscenities and sexual abuses but his dramatic style is full of complexities and that is why we can say his works are so remarkable . His works has become pattern for preceding centuries .This essay is about the origin and structure of comedy in ancient Greek drama Athenian comedy based on a few ancient texts that is now available , is full of aspersion indecency against political characters and ancient Greek government . But because of this obscenities we should not consider this comedy as a worthless drama and not artistic . Aristophanes is the only comedy writer in the golden age of Greece that his works are available these days although his comedy is full of obscenities and sexual abuses but his dramatic style is full of complexities and that is why we can say his works are so remarkable . His works has become pattern for preceding centuries .This essay is about the origin and structure of comedy in ancient Greek drama https://www.bagh-sj.com/article_1507_4dcf435435894a4d0972046fc566af76.pdfNazar Research Center for Art, Architecture and Urbanism (NRC)The Monthly Scientific Journal of Bagh-e Nazar1735-96352420060220An introduction to recognize Birjand’s historical gardensAn introduction to recognize Birjand’s historical gardens5071766FAEhsanRanjbarMohammadrezaMehrabani GolzarMahdiFatemi0000-0001-8584-8243Journal Article20120415Persian garden that had dominance from India to Tabirz and from Samarqand and Bokhara to Shiraz and above these limits has appeared in different forms according to specific climate and historical period. Birjand in southern Khorasan province is one of places that has a specific style of Persian garden concepts. Birjand as a city that has acquired its splendor from Safavied period has a collection of historical gardens. These gardens belong to last part of Zandieh period Ghajar period and earlier pahlavi period. The analysis of characteristics in Birjand garden in 8 gardens like Akbarieh, Shokat abad, Rahim abad, Bahlgerd, mood, ma’soomieh & toghan shows that combination of some particular like non-existence of water axes, joining to rural texture, main axes of pain, Shahneshin in the pool, Hozkhaneh, garden-castle and extended strong axes distinguish the style of Birjand garden from other places in Iran. This article on the base of investigation on historical periods, climate and architecture of Birjand because of shortage enough information about Birjand gardens, first characteristic of this gardens, then in comparative analysis provides contexts to recognize specific styles in Birjand.Persian garden that had dominance from India to Tabirz and from Samarqand and Bokhara to Shiraz and above these limits has appeared in different forms according to specific climate and historical period. Birjand in southern Khorasan province is one of places that has a specific style of Persian garden concepts. Birjand as a city that has acquired its splendor from Safavied period has a collection of historical gardens. These gardens belong to last part of Zandieh period Ghajar period and earlier pahlavi period. The analysis of characteristics in Birjand garden in 8 gardens like Akbarieh, Shokat abad, Rahim abad, Bahlgerd, mood, ma’soomieh & toghan shows that combination of some particular like non-existence of water axes, joining to rural texture, main axes of pain, Shahneshin in the pool, Hozkhaneh, garden-castle and extended strong axes distinguish the style of Birjand garden from other places in Iran. This article on the base of investigation on historical periods, climate and architecture of Birjand because of shortage enough information about Birjand gardens, first characteristic of this gardens, then in comparative analysis provides contexts to recognize specific styles in Birjand.https://www.bagh-sj.com/article_766_959a557f5f6beb411fd954f3f34b21c3.pdfNazar Research Center for Art, Architecture and Urbanism (NRC)The Monthly Scientific Journal of Bagh-e Nazar1735-96352420060220Foundations for understanding and interpretation of Byzantine ArtFoundations for understanding and interpretation of Byzantine Art72831508FAAlirezaNorouzitalabJournal Article20120723The Byzantine Art belogs to the world of christianity. The world of christianity has some characteristics which generally reflect the art works belonging to the christian era.
Any interpretation, critic and studies of the Byzantine era Art is possible only if it is done on the basis of knowing the world it belongs to.
The core of chritian world is the sacred writ and the divine words. The advent of the Christ is the beginning point of the christian world. The word divine has uncovered a total of world which stems in the merit, glory and beauty and the light of God.
To understand and interprete the Byzantine art requires a deep perception of the christian wold. The presence of a sacred fact in a picture and picture interpretation to refer to the sacred fact is the theme of the Byzantine art.The Byzantine Art belogs to the world of christianity. The world of christianity has some characteristics which generally reflect the art works belonging to the christian era.
Any interpretation, critic and studies of the Byzantine era Art is possible only if it is done on the basis of knowing the world it belongs to.
The core of chritian world is the sacred writ and the divine words. The advent of the Christ is the beginning point of the christian world. The word divine has uncovered a total of world which stems in the merit, glory and beauty and the light of God.
To understand and interprete the Byzantine art requires a deep perception of the christian wold. The presence of a sacred fact in a picture and picture interpretation to refer to the sacred fact is the theme of the Byzantine art.https://www.bagh-sj.com/article_1508_ebd6d2f5d60ff9afaeda1a81fc53e2d0.pdf