• Asef, M. H. (1973). Rustam Alhkma. Correction and annotation by Mohammad Moshiri: Tehran: Amirkabir Publication.
• Ahmadi, B. (2001). Truth and Beauty. 5th Edition. Tehran: Nashr- e Markaz.
• Capps, G, (2003). Image language. Translated to Persian by Mohajer, F. Tehran: Soroush Publication.
• Chandler, D. (1994). Semiotics: The Basics. London: Routledge.
• Caller, J. (2001). The Pursuit of signs. London: Routledge.
• Eco. U. (1997). Function and sign: The semiotics of Architecture, In Rethinking Architecture: A reader in Culture theory, Edited by Leach, N. London: Routledge.
• Eco, U. (1979). A Theory of Semiotics. Bloomington: Indiana Press.
• Eco, U. (1990). The Limits of Interpretation. Bloomington: Indiana University Press.
• Espani, M. & Boroujeni, P. (2011). Studying pot motifs in rural brick shaped rugs of Chaharmahal and Bakhtiari province (with an emphasis on Chaleshtar, shalamzar and Boldaji areas) Goljam Journal, (18): 31-48.
• Faqiri Zadeh, F. (2002). Gabbeh weaving art education. Tehran: Kouhsar Publications.
• Felahat, M. & Nouhi, S. (2012). The nature of signs and their role in promoting a sense of place in architectural space, fine arts, Period 17. Urban Development, (1): 17-25.
• Fischer, E. (1989). The social production of art. Translator: [?]. Tehran: Soroush.
• Hull, A. & Barnard, N. (2000). Persian Rugs. Translated to Persian by Afsar, K. Tehran: Yassavoli Publication.
• Hauser, A. (1984). Philosophy of art history. Translated to Persian by Framarzi, M. T. Tehran, Negah Publication.
• Ibrahimi Naghani, H. (2013). Gabbeh. The paradigm of ethnic art of Bakhtiari tribe.
• Kiani, M. (2002). A glimpse into the way of the formation of the walls and Defensive Fortifications According to Images. Tehran: Nasim-e Danesh Publication.
• Mousavi Nami Isfahani, M. (1989). Tarikh-i Guitygosha, (on the Zand history), 2nd Edition.
• Nojoumian, A. (2008). Semiotic analysis of historic houses of Kashan. Art Letter Journal (Nameh Honar), (2): 111-127.
• Newton, E. (1998). Art Meaning. Fourth Edition. Translated to Persian by Marzban, P. Tehran: Elmi va Farhangi Publication.
• Pakbaz, R. (2000). Encyclopedia of Art. Tehran: Farhang- e moaser Publication.
• Pakbaz, R. (2006). Iranian painting from ancient times until today. Tehran: Zarrin va Simin.
• Proceedings of the meeting of the School of Shiraz. (2008). Deputy Scientific Director of the Research Department of Academy of Arts, Tehran-Shiraz.
• Rapaport, A. (1969). House Form & Culture. London: Prentice-Hall.
• Rappaport, A. (2003). Cultural origins of architecture” Translated by Sadaf Alerasoul & Afra Bank. Khial, (8): 56-97.
• Read, S. H. (1995). Art Meaning, Translated by Najaf Daryabandari. Tehran: Elmi va Farhangi.
• Scarcia, G. (1997). The Art of Safavid, Zand, and Qajar eras. Translated to Persian by Ajand, Y. Tehran, Molla Publication.
• Shahdadi, J. (2005). Gol-o-Morgh (a window into Iranian aesthetics), Tehran: Kitab- e Khorshid.
• Skocpol, T. (2009). Insights and methods in historical sociology. Translated by Aghajari, H.Tehran: Nashr- e Markaz Publication.
• Sojudi, F. (2003). Applied semiotics. Tehran: Gheseh Publication.
• Shirvani, M. (2012). Court House. Shiraz: Persepolis publication.
• Zeimaran, M. (2005). Art philosophy of Aristotle. Tehran: Farhangestan Honar’s Publication.