Role of Documentary Photography in the Period of Revolution and War: Examining Some Viewpoints of George Lukács and Arnold Hauser

Document Type : Research Article

Authors

1 Ph.D. Student in Art Studies, Faculty of Theories and Art Studies, Art University of Tehran, Tehran, Iran.

2 Ph.D. in Political Science, Associate Professor, School of Cinema and Theater, Art University of Tehran, Tehran, Iran.

Abstract

Abstract
Problem statement: Few studies have examined the role of documentary photography in the political, social, and cultural structures, in reflecting the events of the 1979 revolution and the war against Iraq, with social documentary, news, and war approaches.
Research objectives: This article aimed to study the relationship between documentary photography and the events of this decade, and examine the quality of documentary photography in the ruling power policies by using some viewpoints of Lukács and Hauser.
Research method: This qualitative research, used the descriptive-analytical method, and data were obtained from the written printed, and electronic literature.
Conclusion: Studies showed that documentary photography in this decade influenced the political, social, and cultural structures and in turn was influenced by the policies and ideology of the ruling power. Using photographs by the ruling power for propaganda-political purposes gave photography an institutional and ideological function and by the limitation socio-political sphere, photographers could not reflect the spirit of all dimensions of their era. Some factors, such as establishing publishing houses, printing photography books and magazines, establishing the photography field, and holding photography annuals and exhibitions, contributed to the development of documentary photography, and factors such as the limitation in the socio-political atmosphere, censorship and insecurity hindered its progress. Photographs that were in line with the ideology of the ruling political power or one of its idealisms were supported. According to the presented, documentary photography trend in the revolution and war period has been relatively in line with the views expressed by Lukács and Hauser.

Keywords


Behnoud, M. & Sepahvand, H. (2008). Kaveh Golestan: Recording the Truth in Iran 1950-2003. Berlin: Hatje Cantz.
Beloff, H. (1996). Camera Culture (R. Javadi, Trans.). Tehran: Soroush Press.
D’Alleva, A. (2015). Methods & Theories of Art History (A. Moghbeli & S. Hosseini, Trans.). Tehran: Fakhrakia Publishing.
Deghati, R. & Deghati, R. (2014). Another perspective (F. Najmi, Trans.). Netherland: Radio Zamaneh Cultural Foundation.
Dehghanpour, Y. et al. (1982). Five Glances at the Soil. Tehran: Zamineh press.
Ghasemi, H. et al. (2020). A Comprehensive Guide to Research. Tehran: Andisheara Press.
Godarzi, M. (1989). Ten years with the painters of the Islamic Revolution: 1979-1988. Tehran: Hoze-ye Honari.
Golestan, L. & Ghazvini, H. (2004). Kaveh Golestan: Photos and a Dialogue. Tehran: Digar Press.
Hauser, A. (1998). The Social History of Art (E. Yonesi, Trans.). Tehran: Kharazmi Publishing.
Hauser, A. (2003). Philosophy of Art History (M. Faramarzi, Trans.). Tehran: Negah Publishing.
Heinich, N. (2008). La Sociologie de Art [The Sociology of Art] (A. Nikgohar, Trans.). Tehran: Agah Publishing.
Inglis, D. & Hogson, J. (2016). The Sociology of Art: Ways of Seeing (J. Mohammadi, Trans.). Tehran: Ney Publishing.
Jalali, B. (1979). Days of Blood, Days of Fire: An Illustrated Report on the Victory of the Islamic Revolution of Iran. Tehran: Zamineh press.
Jalali, B. (1981). Abadan Fights on: A Photographic Testimony. Tehran: Zamineh press.
Jalali, B. (1983). Khorramshahr. Tehran: Soroush press.
Janbozorgi, S. (2013). Photography in War. Tehran: Ravayatefath press.
Javadi, R. (2020). Bahman Jalali: The Familiar Stranger. Tehran: Nazar publication.
Kazemi, K. (2017). Revolutionaries the First decade. Tehran: Nazar Press.
Khodadadi Motarjemzade, M. (2014). Cultural and Artistic Functions of Photography in Iran: 1951-2001. Tehran: Morakabsepid press.
Lukács, G. (1998). History and class consciousness (M. J. Pooyandeh, Trans.). Tehran: Tajrobeh Publishing.
Lukács, G. (2002). Sociology of the Novel (M. J. Pooyandeh, Trans.). Tehran: Cheshmeh Publishing.
Mohajer, M. (2006). Iranian Modernization and Contemporary Photography. Herfeh: Honarmand, (18), 104-107.
Mohajer, M. (2017). The Story of An Iranian Witness: a look at some issues of documentary photography in Iran. Herfeh: Honarmand, (64), 48-54.
Mohajer, M. (2019). Forty Years of Urgency: A Reflection on Iran’s Art Photography in the Four Decades after the Revolution of 1979. Herfeh: Honarmand, (71), 85-98.
Mohammadi, S. (2011). Analyzing and Examining the Documentation of the Iranian Revolution According to the Narratives of Domestic and Foreign Photographers. Unpublished master’s thesis. Islamic Azad University, Tehran Branch, Center, Iran.
Moridi, M. R. (2018). Cultural Discourses and Artistic Currents in Iran: An Exploration into the Sociology of Contemporary Iranian Painting. Tehran: Abanbook Publishing.
Nikzad, O. (2009). Investigating the Role of Photograph in Reflecting Important Political Events in the Second Pahlavi Period until Now. Unpublished master’s thesis. Tehran University of Art, Iran.
 Rahimi, M. (2010). An Analysis of Modern Documentary Photography and its Effects on Contemporary Iranian Photography. Unpublished master’s thesis. Tehran University of Art, Iran.
Ramin, A. (2020). Philosophical and sociological theories in art. Tehran: Ney Publishing.
Shirjian, A. A. (2013). Documentary Photography: Training, Analyzing and Criticism of Documentary Photography in Iran and the World. Tehran: Shourafarin publication.
Taherkhani, R. (2012). Thirty Years: a pictorial history of Iran after the Islamic Revolution 1987-2009. Tehran: Media Art organization OUJ.
Valipour Hafshejani, S. (2007). A Look at George Lukács’s Opinions in the Field of Marxist Criticism. Zaban & Adab, (31), 122-136.
Zakavati, H. (2014). A study of socio-political photographs of Tabriz during the Islamic Revolution. Unpublished master’s thesis. Tehran University of Art, Iran.