Ajand, Y. (2010). Negargari-ye Iran (Pajoheshi dar tarikh-e naghashi va negargari-ye Iran [Iranian Miniature (A Research on the History of Iranian Painting and Miniature)]. Tehran: The Organization for Researching and Composing University textbooks in the Humanities [SAMT].
Baghban Maher, S. & Gholamian, B. (2010). Esalat-e athar-e honari [The Authenticity of Artworks]. Etelaat-e Hekmat va Marefat, 5(10), 44-49.
Baharloo, A. (2014). About Rosalind Krauss. Tandis, (287), 14-15.
Benjamin, W. (1998). The Work of Art in the Age of Mechanical Reproduction (O. Nikfarjam, Trans.). Institute for Humanities and Cultural Studies, 8(3), 210-225.
Benjamin, A. (2005). Walter Benjamin and Art. London, New York: Continuum.
Bocola, S. (2008). The Art of Modernism (R. Pakbaz et al. Trans.). Tehran: Farhange Moaser.
Davies, P., Hefricher, J. & Roberts, S. (2009). Jansons history of art: the western tradition (F. Sojoodi, Trans.]. Tehran: Farhangsara-ye Mirdashti.
Faraji, Z. (2011). Examining the Effect of Postmodernism on Iranian Paintings (Unpublished Master Thesis in Painting]. Faculty of Arts and Architecture, Islamic Azad University Central Tehran Branch, Tehran, Iran.
Fenzel, C. (2007). Still Life with “SPARK” and “SWEAT”: The Copyright Ability of Contemporary Art in the United States and United Kingdom. Arizona Jornal of International & Comparative Law, 24, 551-552.
Gardner, H. (2002). Art through the Ages. Tehran: Agah.
Gharebaghi, A. (1999). Genealogy of postmodernism5. Golestaneh, (5), 12-47.
Gharebaghi, A. (2000a). Mike Bidlo: Honar-e naghl-e ghol [Mike Bidlo: The Art of Citation]. Golestaneh, (21), 60-63.
Gharebaghi, A. (2000b). Tabarshenasi-ye postmodernism (12), payan va marg-e honar (2) [Genealogy of Postmodernism 12: The end and the Death of Art 2]. Golestaneh, (20), 17-24.
Ghiasi, Z. (2016). Copy, Forgery, and Appropriation. Tehran: Avam Sara..
Halimi, M.H. (2004). Negareshi bar shive-ha-ye naghashi [A Review of Painting Styles]. Tehran: Ehyae Ketab.
Jahangir, N. (2013). Appropriation (Unpublished Master Thesis in Painting). Faculty of Ars, Alzahra University, Tehran, Iran.
Janson, A. F. (2002). Postmodernism and the Postmodern Art (M. Gooya, Trans.). Tehran: Asre Honar.
Johannes, L.R. (2011). Copyright and Art Work in South Africa. Retrieved Jun 23, 2021, from: www.wired space. Wits.ac.za.
Kamali, Z. & Akbari, M. (2008). Walter Benjamin and the Art of Reproduction. Philosophical Investigations, (14), 125- 146.
Kashmirshekan, H. (2017). Contemporary Iranian Art. Tehran: Nazar.
Krauss, R. E. (1986) The Originality of the Avante-Garde and Other Modernist Myths. Cambridge, MA: MIT Press.
Lucie- Smith, E. (2001). Movements in Art since 1945: Issues and Concepts (A. Sami Azar). Tehran: Nazar.
Lynton, N. (2003). The Modern Art. (A. Ramin, Trans.). Tehran: Ney.
McCoy, C. (2017). Naghderooz. Retrieved May, 2, 2018, from : Naghderooz.com
Millet, C. (2017). Contemporary Art History and Geography (M. Nonahali, Trans.). Tehran: Nazar.
Mirizzi, G. (2011). Appropriation in Art. Retrieved May, 12, 2018 from: https://gianfrancomirizzi.wordpress.com/
Mahmoud Sabzi. (2013). Tandis. Retrieved May, 30, 2018 from: https: //tandismag.com/tag.
Pakbaz, R. (2002). Dar jostojo-ye zaban-e no [Looking for a New Language]. Tehran: Negah.
Pakbaz, R. (2004). Naghashi-ye Iran (az dirbaz ta emroz) [Iranian Painting (A Historical Review)]. Tehran : Zarin va Simin.
Panart Editorial. (2018). Allegorical Angles and Sublime Art of Hojat Amani. Retrieved 9 July, 2018, from: Panart.ir/fa/
Rowe, H. A. (2011). Appropriation in Contemporary Art. Inquiries Journal, 3(06). Retrieved from http://www.inquiriesjournal.com/articles/1661/appropriation-incontemporary-art.
Sadegh Panah, B. (2011). Self-Reference in Contemporary Photography (Unpublished Master Thesis in Art Studies]. Faculty of Art, Tarbiat Modares University, Tehran, Iran.
Sami Azar., A. (2012). The History of Art in Contemporary Era, Conceptual Revolution. V. 2. Tehran: Nazar Cultural Research Institute and Publishing.
Sami Azar., A. (2016). Art, Modern-- 20th century -- Addresses, essays, lectures. Tehran: Nazar Cultural Research Institute and Publishing.
Shamkhani, M. (2017). The Dictionary of Art. Tehran: Talai.
Shehani, B. (2014). Didar az naghashi-ha-ye Mehrdad Mohebali dar negarkhaneye Etemad [Visiting the paintings of “Mehrdad Mohebali” in Etemad Gallery]. Etemad Newspaper, No. 10/3206.
Stein, R. (2003). Walter Benjamin (M. Madadi, Trans.). Tehran: Akhtaran.
Stokes, S. (2001). Art and Copyright. North America and Canada: Hart Publishing Oxford and Portland, Oregon.
Taheri, M. (2016). The Application of the Element of “Appropriation” in Commercials Ads. Iranian Scientific Association of Visual Arts, 1 (1), 81-97.
Torsen, M.A. (2006). Beyond Oil on Canvas: New Media and Presentation Formats Challenge International Copyright law`s Ability to Protect The Interest of The Contemporary Artist, Art Antiquity, 3(1), 45-70.
Wilder, J. B. (2016). Art history For Dummies (S. Boroomand, Trans.). Tehran: Avande Danesh.
Yasrebi, A. (2011). Andy Warhol. Tehran: Nazar.
Zahedi, M. & Sharifzadeh, Sh. (2016). The Legal Position of Contemporary Art in Literal and Artistic Works Law. Private Law Research, 4 (15), 53-83.