Adamiyan, M., Azizmi Hashemi, M. & Sanati Sharghi, N. (2013). Sociological Analysis of Women’s Clothing Styles. Journal of Woman & Society, 3(4), 161-181.
Ahadi Koli, P. (2010). A Study on the Meaning and Utility of Colour in Qajar Era Painting (Unpublished Master Thesis in Art Reserarch). Faculty of Art, University of Science and Culture.
Alipoursaadani, R. & Sheikhzadeh, M. (2009). Fetishism in Iran’s Folklore and its Effect on Saqakhaneh Style Painting. Bagh-e Nazar, 7(11), 53-68.
Amani, H. (2008). The Reflection of Traditions and Rituals in the New Iranian Art (Unpublished Masters Thesis in Art Reserarch). Faculty of Visual Art, Shahed University, Tehran, Iran.
Amani, H.(2010). Angel. Selected Catalog of Angels.
Ashqar, O.S. (1415 AH). Alam Al-Malaekat Al-Arbrar. Joradan: Dar Al-Nafayis.
Barati, P. & Amir Farshi, M. (2013). Marz- mian-e honar-ha barchide mishavad [The Border Between the Arts Will Be Removed]. Shargh, 11(1975).
Goodarzi, M. (2009). Ayine-e khial [The Mirror of Imagination]. Tehran: Sooreye Mehr Publications.
Kafshchian Moghaddam, A. & Alipour, S. (2012). Pajooheshi piramon-e tasvir-e fereshtegan dar naghashi-ye dooran-e Qajar [Research on the Angel Imagery in Qajar Era Painting]. International Conference on the Reflection of Religion in Art, Islamic Azad University of Hamadan, Hamedan, Iran.
Kamrani, B. (2006). Tabarshenasi-ye fereshteh dar naghashi-ye Iran [Genealogy of Angels in Persian Painting]. Ketab-e Mah-e Honar, (95 & 96).
Khomeini, R. (1999). Sharh-e Chehal Hadith [Explanation of forty hadiths]. Tehran: Imam Khomeini Works Publication Institute.
Lari, M. (2013). Raz Negar [Depicting The Secret: A Study on the Image of Women in the Thirteenth Century]. Tehran: Art Research Institute
Lynton, N. (2004). The Story of Modern Art (A. Ramin, Trans.). Tehran: Ney.
Maleki, T. (1997). Fereshtegan-e naghashi-ye Iran [The Angels of Persian Painting]. Ketab-e Mah-e Honar,138, 86-92.
Marzolph, U. (2020). Narrative Illustration in Persian Lithographed Books (Sh. Mohajer, Trans.). Tehran: Nazar.
Ehsani, M.T. (2003). Iranian Bookbing and Pencases: A Commentary on the History of Bookbinding and Pencases in Iran. Tehran:Amir Kabir.
Pakbaz, R. (1999). Encyclopedia of Art. Tehran: SAMT.
Pakbaz, R..(2010) . Encyclopedia of Art. 9th Edition. Tehran: SAMT.
Qarehbaghi, A. (1999). Tabarshensye post modrnism:Shenakht Osol Va Mafahim Post Modernism(2) [Genealogy of Postmodernism Understanding the Principles and Consepts of Postmodenism]. Golestaneh, (8), 59-70.
Ravandi, M. (1980). Tarikh-e Ejtema’ei-ye Iran [Social History of Iran]. Vol. 4. Tehran: Amirkabir.
Safarzadeh, N. & Ahmadi, B. (2014). Exploring the image of angels in painting of Qajar period. Paykareh, 3(5), 47-56.
Sajjadi, S. M. (2006). Feminism in postmodernist thoughts. Women Strategic Studies, 8(29), 7-38.
Sultani Beirami, E. (2014). Appearing of Angels in the Form of Man in Allamah Tabatabaii’s View. Quran Shenakht, 6(2), 41-62.
Wenzel, C. & et al. (2015). Ungeteilte Himmel; Engel,Doppelganger. Goethe University, Frankfurt Publisher: Germany.