The Impact of European Expressionism Art Movement on the Architecture of Administrative-Service Buildings in Iran during the Pahlavi Era

Document Type : Research Article

Authors

1 Ph.D. Student of Architecture, Department of Architecture, Faculty of Architecture and Urban Planning, Qazvin Branch, Islamic Azad University, Qazvin, Iran.

2 Department of Architecture, Faculty of Architecture and Urban Planning, University of Tehran, Tehran, Iran

3 Department of Architecture, Faculty of Architecture and Urban Planning, Qazvin Branch, Islamic Azad University, Qazvin, Iran.

Abstract

Problem statement:The art and architectural movements, which represent two relevant categories, have been permanently presented together throughout history and affected by each other concurrently. Following the formation of the artistic currents, from the middle of the 19th century onwards in both the European countries and the United States, frequent artworks have emerged. Therefore, the pertinent schools of thoughts have led to specific changes in the art fields, including the architecture in Iran from the 1940s onwards. Probably, the most prominent artistic currents that affected the buildings of contemporary time was the influence of the expressionist current of art on the architecture of the Pahlavi era; an era in which architecture and modern art were moving forward in the same direction. The influence of contemporary Iranian architecture on newfound arts indicates the necessity of this research study.
Research objective: The purpose of this study is to investigate the role of expressionism art current in contemporary Iranian architecture, and to identify the expressionist architectural patterns and their representation in Iranian administrative-service buildings.
Research mthod:Following the completion of the field observation, the case studies were selected, and then relying on the library data and reviewing the reliable documents, the effect of expressionism art flow on contemporary Iranian architecture was evaluated in the Pahlavi era by using a historical-interpretive method. This is followed by the analytical descriptive method to represent the research findings.
Conclusion: The results indicate that the components of expressionism style in all three aspects of ‘objective’, ‘functional’ and ‘physical’ dimensions are presented in the administrative-service buildings during the Pahlavi era. In this regard, the emergence of objective components appeared to be more significant than the other two components. The most frequently used architectural aspects of this artistic style in administrative-service buildings in Iran include: the simple and often elongated plans along with the building, the symmetrical facade composition, the gable roof, the specific form of porch, the vertical partition of the facade, the distinctive rhythm of the facade with rectangular and elongated windows, and finally the decorative balusters designs (ṭāramī).

Keywords


Afshar Mohajer, K. (2012). Iranian Artist and Modernism. Tehran: Art University.
Ansari, H. R. (2016). Tahlil-i bar Memari-ye Mo’aser-e Iran [An Analysis of Contemporary Iranian Architecture]. Tehran: Sabzan.
Bani-Masoud, A. (2009). Contemporary architecture of Iran. Tehran: Honar-e-Memari-ye Gharn.
Bani-Masoud, A. (2011). Western Architecture; Roots and Concepts. Tehran: Honar-e-Memari-ye Gharn.
Bavar, C. (2009). The advent of new architecture in Iran. Tehran: Faza.
Crippa, M. A. (2008). Antoni Gaudí, 1852-1926: from nature to architecture, c2003 (E. Rahimi, Trans.). Tehran: Honar-e-Memari-ye Gharn.
Dad, S. (1992). Farhang-e estelahat-e adabi [Dictionary of Literary Terms]. Tehran: Morvarid.
Demartini, E. Perina, F.   (2013).  1000years of world architecture: an illustrated guide (A. Golkar, Trans.). Tehran: Honar-e-Memari-ye Gharn.
Habibi, S. M. (2011). Sharh-e Jaryan-ha-ye Fekri-ye Memari va Shahrsazi dar Iran-e Mo’aser [Description of the intellectual currents of architecture and urbanism in contemporary Iran]. Tehran: Daftar-e Pazhuhesh-ha-ye Farhangi.
Kamelnia, H. & Haghir, S. (2016). Theory of Modernity in Architecture. Tehran: University of Tehran.
Haghir, S. (2008). The stylistics of Art Nouveau in Contemporary Iranian Architecture. Honar-ha-ye-Ziba, (35), 63-73.
Jahanbagloo, R. (2001). Iran and the problem of modernity. Tehran: Qatre.
Kennedy, S. M. (2015).  Expressionist art and drama before, during, and after the Weimar Republic. (Unpublished Master’s thesis). Portland State University, USA.
Kiani, M. (2014). Me′mari-ye Dore-ye Pahlavi-ye Avval: Degargouni-ye Andishe-ha, Peydayesh va Sheklgiri-ye Me′mari-ye Dore-ye Bist-sale-ye Mo′aser-e Iran 1299-1320 [Architecture of the First Pahlavi Period, the Transformation of Thoughts, the Origin and Formation of Contemporary Iranian Twenty Year Architecture 1920-1941]. Tehran: Institute for Iranian Contemporary Historical Studies.
Mirsadeghi, M. (2006). A dictionary of poetry and poetics. Tehran: Ketab-e Mahnaz.
Mohammadzadeh Titkanloo, H. (1999). ‎Expressionism. Tehran: Mulian-e Jam.
Mohammadzadeh, M. N. (2006). Yadegar-e mandegar [The memorable memoral]. Qazvin: Cultural Heritage, Handicrafts and Tourism Organization.
Mokhtari Mokhtari Taleghani, E. (2011). Miras-e Memari-ye Modern-e Iran [The heritage of modern architecture of iran]. Tehran: Daftar-e Pazhuhesh-ha-ye Farhangi.
Naderi, E. & Seif Naraghi, M. (2006). Research Methods in Humanities. Tehran: Badr.
Pakbaz, R. (2000). Encyclopedia of Art. Tehran: Farhang-e Mo’aser.
Pakdaman, B. (1997). Negah-i Kutah be Shive-ha va Gerayesh-ha-ye Memari dar Tehran [A brief look at the styles and trends of architecture of Tehran]. Tehran: Roshangaran.
Sharp, D. (1966). Modern Architecture and Expressionism. London: Longmans.
Tabibi, S. J., Maleki, M. R. & Delgoshaei, B. (2016). Tadvin-e Payan-nameh, Resaleh, Tarh-e Pazhuheshi va Maghale-ye Elmi [writing successful thesis, dissertation, research project and scientific article]. Tehran: Ferdwos.
Rajabi, P. (1976). Memari-ye Iran dar Asr-e Pahlavi [Iran architecture in Pahlavi era]. Tehran: Daneshgahe Melli-ye Iran.