نوع مقاله: مقالۀ پژوهشی
نویسندگان
1 دانشجوی دکترای پژوهش هنر، دانشگاه شاهد، تهران، ایران
2 استادیار گروه پژوهش هنر، دانشکده هنر، دانشگاه شاهد، تهران، ایران.
چکیده
کلیدواژهها
عنوان مقاله [English]
نویسندگان [English]
sociological critique is a kind of critique that looks at the artworks In social context of it and the interactives between two sides, the artist/artwork with the community/periphery. The play, "Hokkam_e_Jadid" has been written in the midst of the Mashrooteh era and its struggles and reflects, the great changes in society from the most basic aspects to the most external surfaces, in the era of revolution, the new-era or long-standing social-economic classes, but the losers of The ruling classes gather their forces to demand their rights and try to make the former class of the class to their advantage and benefit from justice. This research, in its sociological viewpoint, uses the library method, and the basic sociological critique of the essays, with the look at the writings of Lewin Goldman and the classical and of the constitutional era, has been left out of the books and reproduced the text of the play in this framework. In the review of the "new rulers" for each of the classes, a representative was found that their struggle was based on the narrative; in this campaign, each of the factions faced, reacted, but eventually the balance of the bounty came to the benefit of the supporters of the heavy law And text messages that alert and wake up to the reader. In the context of this struggle, many of the concepts, vocabulary and semantic structures of the novice are used to become readers, internal and institutional, and the text has returned in its place to the revolutionary environment, the text of society and the text of the constitutional constitution. "New rulers" have been pushing for supremacy over the law and popular groups behind the riots, but have borrowed from previous mental stereotypes, such as escaping the guilty or the perpetual oppression of the descendant.
کلیدواژهها [English]
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