Amid, H. (1980). Farhang-e Amid. Tehran: Amirkabir.
Bahar, M. (2019). Az Ostoure ta Tarikh. Tehran: Cheshmeh.
Bakhtortash, N. (2001). Neshane Razamiz. Tehran: Farvahar.
Baring, A. & Cashford, J. (1993). The Myth of the Goddess: Evolution of an Image. London: Penguin Books Limited.
Bezhgi, T. (2012). Bahsi dar lebas va poushesh-e mardom-e Iran dar dore-ye Afshariye [A discussion on the clothing of the Iranian people in the Afshari period]. Tarikhpajouhi, (53). 245-267.
Black, J. & A. Green. (2004). Gods, Demons and Symbols of Ancient Mesopotamia. An Illustrated Dictionary. Austin: University of Texas Press.
Boyce, M. (1989). Ardwisur Anahid. In Iranica (pp. 1003-1011), (Ed.) E. Yarshater. London: Routledge & Kegan Paul.
Careri, G. (2004). Voyage Du Tour Du Minde, To MeII. De la perse (A. Nakhjavani & A. A. Karang, Trans.). Tehran: Elmi va Farhangi.
Chardin, J. (1958). Sir John Chardin’s Travels in Persia (M. Mozayeni, Trans.). Tehran: Amirkabir.
Chevalier, J. & Gheerbrant, A. (1982). Dictionnaire des Symboles: Mythes, Rêves, Coutumes, Gestes, Formes, Figures, Couleurs, Nombres. Tehran: Jeyhoon.
Cooper, J. C. (2007). An Illustrated Encyclopedia of Traditional Symbols (M. Karbasiyoun, Trans.). Tehran: Farhang-e Nashr-e Now.
De Beaucorps, M. (1989). Les symboles Vivants. Paris: F. Nathan.
Della Valle, P. (1991). Cose e Parole Nei Viaggi di Pitro Della Valle (Sh. Shafa, Trans.). Tehran: Elmi ve Farhangi Publication.
Eliade, M. (1975). The Encyclopedia of Religion (vol. 5). New York & London: Macmillan.
Fakouhi, N. (2009). Tarikh-e Andishe va Nazari-ye-ha-ye Ensanshenasi [History of Thoughts and Anthropological Theories]. Tehran: Nashr-e Ney.
Farravashi, B. (2013). Iranvij. Tehran: University of Tehran.
Figueroa, G. & Silva Y. (1984).
Gelfer-Jorgensen, M. (1986). Medieval Islamic Symbolism and the Paintings in the Cefalù Cathedral. Leiden: Brill Academic.
Ghani. A. (2016). Cultural analysis of Chaleshtor carpet with anthropological approach to art (Doctoral dissertation). Art University of Isfahan. Iran.
Gheybi, M. (2008). A History of Persian Costume. Tehran: Hirmand.
Gluck, J. & Gluck, S. H. (1977). A Survey of Persian Art. Tehran: Bank-e Melli-ye Iran.
Hall, J. (2001). Illustrated Dictionary of Symbols in Eastern and Western Art (R. Bahrami, Trans.). Tehran: Seda-ye Mo’aser.
Iran International Women’s Association. (1973). Negar-e Zan [Illustrated History of Women’s Clothing in Iran]. Tehran: International Women’s Association in Iran.
Izadi Jeyran, A. (2014). The anthropology of art in the works Howard Morphy. Naghdname-ye Honar: Naghde Neshaneshenasi-ye Honar, (5), 11-33.
Ja’fari, A. A. (2012). Investigation of the veil and type of Zoroastrian women’s clothing in Safavid Iran. Iranian Cultural Research, 4(3). 23-43.
Jansen, Ch. R. (2005). Studying Art History. (B. Avakian, Trans.). Tehran: SAMT.
Jung, C. G. (1989). Four Archetypes: Mother, Rebirth, Spirit, Trickster (P. Faramarzi, Trans.) Tehran: Astan-e Qods.
Mazdapour, K. & Mazdapour, Sh. (2017). Baz’ara’i-e Gol-o-Naqsh [Rearrangement of Gol-o-Naqsh]. Tehran: Farhangestan-e Honar.
Mazdapour, Sh. (2007). Investigation of Zoroastrian needlework designs for manto printing (Bachelor’s thesis). Islamic Azad University, Yazd branch, Iran.
Morphy, H. (1992). Aesthetics in a cross cultural perspective: some reflections on Native American basketry. JASO, (XXIII), 1-16.
Morphy, H. (1994). The anthropology of art. In Companion Encyclopedia of Anthropology. (Ed.) T. Ingold, London & New York: Routledge.
Morphy, H. & Perkins, M. (2006). The Anthropology of Art: A Reflection on Its History and Contemporary Practice. Oxford: Blackwell.
Pope, A & Ackerman, Ph. (2008). A Survey of Persian Art: from Prehistoric Times to the Present. (N. Daryabandari, Trans.). Tehran: Elmi va Farhangi.
Saba, M. (2000). Negareshi bar Ravand-e Souzandouzi-ha-ye Sonati-ye Iran, az Hasht Hezar Sal Ghabl az Milad ta Emrouz [An overview of the traditional Iranian burning process: from 8,000 BC to the present]. Tehran: Montakhab Saba.
Sabbaghpour, T. & Shayestefar, M. (2010). Investigating the role of the symbolic bird pattern in Safavid and Qajar carpets in shape and content. Negareh, (14), 39-49.
Sanson. (1998). Voyage (M. Mehryarm Trans.). Isfahan: Golha.
Snowden, R. (2014). Jung, The Key Ideas, Teach Yourself Jung (A, Sheykhol’eslamzade, Trans.). Tehran: Ata’i.
Tavernier, J. B. (1990). Voyage en Perse (A. T. Nouri, Trans.). Tehran: Ketabforoushi-ye Sana’i.
Warner, R. (2007). Encyclopedia of World Mythology (A. Esma’ilpour, Trans.). Tehran: Hirmand.
Yahaqqi, M. J. (1996). A Dictionary of Myths and Narrative Symbols in Persian Literature. Tehran: Institute for Humanities and Cultural Studies.
Yavari, H. (2006). Mokhtasari darbare-ye roudouzi-ha dar Iran va Jahan [A brief about embroidery in iran and the world]. Roshd-e Amouzesh-e Honar, (6), 46-53.
Ziapour, J. (1964). Poshak-e Bastane-e Iranian az Kohantarin Zaman ta Payan-e Padeshahi-ye Sasanian [Ancient Iranian cloth: from the earliest times to the end of the Sasanian Empire]. Tehran: Edare-ye Koll-e Mouze-ha va Farhang-e Amme.
Ziapour, J. (1966). Poshak-e Zanan-e Iran az Kohantarin Zaman ta Aghaz-e Shahanshahi-ye Pahlavi [Iranian women’s clothing from the earliest times to the beginning of the Pahlavi Empire]. Tehran: Vezarat-e Farhang va Honar.
Zomorrodi, H. (2003). Negaresh-e Tatbighi-ye Adyan va Asatir-e Shahnameh-ye Ferdowsi [A Comparative Critique of Religions and Myths in Ferdowsi’s Shahnameh]. Tehran: Zovvar.