Nazar Research Center for Art, Architecture and Urbanism (NRC)The Monthly Scientific Journal of Bagh-e Nazar1735-96355920080601The Quality of Traditional and Ethical Design Ideas Crystallizing in the Works of Contemporary Japanese ArchitectsThe Quality of Traditional and Ethical Design Ideas Crystallizing in the Works of Contemporary Japanese Architects32250FAAryan AmirkhaniEhsan RanjbarMohamadreza PourjafarJournal Article20110820Japan territories have always illustrated the traces of different religions and ethics. Its early religions formed and broadcasted during 600B. C and 700 could be considered as follows: Ancient ethics, Shinto, Buddhism, Confucius and Taoism. Like its old history, Japan has a rich traditional and ethical Architecture. Based on these tenets and ethics, different concepts and spaces are formed through the time, as now Japan's ethical and traditional design ideas has its standard principles.
Linking the present and the past has always been a momentous criterion in the countries with an old rich Architecture. This fact is indeed important in Japan due to the blend of ethics and religions with peoples` life.
Through this idea, three Japanese Architects, Kenzo Tange, Fumihiko Maki and Tadao Ando-who are the only Japanese pritzker prize winners-have well, noticed the need for linking the country's traditional and ethical Architecture criteria with the contemporary Architecture. So, analyzing such projects of these architects prepares a good basis to find out the quality of how traditional and ethical design ideas crystallize in the works of contemporary Japanese architects.
The research method for this article is a comparative analysis between the architects` particular projects and Japan's ethical and traditional design ideas, formed through the history of architecture in this country.
The results show that the contemporary architects have had good bases for presenting the traditional design concepts as standard principles are all formed in the architecture of Japan today. Meanwhile, it seems that Maki and Ando are more likely to have a conceptual look at Japan's traditions while Tange has a more formal viewpoint. Chronological analysis of the architects` projects shows that despite, all the three architects were impressed by the works of le Corbusier, they were successful to keep contacts with Japan's traditional design concepts.Japan territories have always illustrated the traces of different religions and ethics. Its early religions formed and broadcasted during 600B. C and 700 could be considered as follows: Ancient ethics, Shinto, Buddhism, Confucius and Taoism. Like its old history, Japan has a rich traditional and ethical Architecture. Based on these tenets and ethics, different concepts and spaces are formed through the time, as now Japan's ethical and traditional design ideas has its standard principles.
Linking the present and the past has always been a momentous criterion in the countries with an old rich Architecture. This fact is indeed important in Japan due to the blend of ethics and religions with peoples` life.
Through this idea, three Japanese Architects, Kenzo Tange, Fumihiko Maki and Tadao Ando-who are the only Japanese pritzker prize winners-have well, noticed the need for linking the country's traditional and ethical Architecture criteria with the contemporary Architecture. So, analyzing such projects of these architects prepares a good basis to find out the quality of how traditional and ethical design ideas crystallize in the works of contemporary Japanese architects.
The research method for this article is a comparative analysis between the architects` particular projects and Japan's ethical and traditional design ideas, formed through the history of architecture in this country.
The results show that the contemporary architects have had good bases for presenting the traditional design concepts as standard principles are all formed in the architecture of Japan today. Meanwhile, it seems that Maki and Ando are more likely to have a conceptual look at Japan's traditions while Tange has a more formal viewpoint. Chronological analysis of the architects` projects shows that despite, all the three architects were impressed by the works of le Corbusier, they were successful to keep contacts with Japan's traditional design concepts.http://www.bagh-sj.com/article_50_c6a2b2eb99c8c2e3bd36fe6d63c5463e.pdfNazar Research Center for Art, Architecture and Urbanism (NRC)The Monthly Scientific Journal of Bagh-e Nazar1735-96355920080601Study of Various Landscape Elements in Quran with Regard to the Soreh-e Al-RahmanStudy of Various Landscape Elements in Quran with Regard to the Soreh-e Al-Rahman233451FAMohamadreza PourjafarBehzad VasiqJournal Article20110820Islam always portrays the human status after death. This tendency can be seeing in several Islamic sources like infrastructure texts, theosophy manuscript and so forth. Some of those are the verses about heaven and hell narratives that mentioned at Quran occasionally. Soreh-e Alrahman has a particular place for exquisite descriptions of paradise between other allegorical verses, in which we can find out basic elements of landscape architecture and garden design.
At outset, this paper deals with the history of main elements of Islamic garden like tree and water in ancient culture and mythology. Elements as correlate categories that linked with sanctum meanings. Thereupon, we also review the Islamic doctrine of paradise to realize the main concept and design features of it in Quran.
The study has been performed through attributive and centralization on Soreh-e Alrahman verses with the aim of introducing the architect’s perception of Quranic verses.
The study indicates that Muslim architects have always tried to derive the landscape architecture and design criteria for their garden design from the Islamic verses of Quran.Islam always portrays the human status after death. This tendency can be seeing in several Islamic sources like infrastructure texts, theosophy manuscript and so forth. Some of those are the verses about heaven and hell narratives that mentioned at Quran occasionally. Soreh-e Alrahman has a particular place for exquisite descriptions of paradise between other allegorical verses, in which we can find out basic elements of landscape architecture and garden design.
At outset, this paper deals with the history of main elements of Islamic garden like tree and water in ancient culture and mythology. Elements as correlate categories that linked with sanctum meanings. Thereupon, we also review the Islamic doctrine of paradise to realize the main concept and design features of it in Quran.
The study has been performed through attributive and centralization on Soreh-e Alrahman verses with the aim of introducing the architect’s perception of Quranic verses.
The study indicates that Muslim architects have always tried to derive the landscape architecture and design criteria for their garden design from the Islamic verses of Quran.http://www.bagh-sj.com/article_51_36fc01689338965098dd995284005aec.pdfNazar Research Center for Art, Architecture and Urbanism (NRC)The Monthly Scientific Journal of Bagh-e Nazar1735-96355920080601The Study and Analysis of Architectural Decorations in "Ganjali Khan Complex", a Masterpiece of Art from the Safavian Perion in KermanThe Study and Analysis of Architectural Decorations in "Ganjali Khan Complex", a Masterpiece of Art from the Safavian Perion in Kerman355052FAShohreh JavadiJournal Article20110820Gandj Ali khan’s complex, as a one of the most beautiful cases of Iranian Architecture and ornament in Safavid Art, consists square – Gendj Ali khan’s inn- whit inn, mosque, bath, water cistern that have placed in corners of square , and Bazar has situated around it. <br />Each part of set is a valuable Architecture work with various ornament of Safavid . <br />The Pleasant and two floor’s building of inn have ornaments compound of brick and tile that in comparison the other Safavid form are especial elegant. Natural, herbaceous paints-design and human, brutal paints-design are various. East and west effects are in harmony and elegance with Iranian true born completely . <br />There are paint and brick-made work on gypsume in bathroom and water cistern that are different whit the Safavid ornament in Esfahan or the other cities, such as bathroom’s portal and Charsugh of Bazar . Theme of these elements is natural and imaginary subject of popular paints. The paints of Gendj Ali khan ’s mosque that are exceptional works ,will be discuss in another paper. <br />One of the especial ornament of inn is inscription’s portal, signed by Reza Abbasi- the famous Safavid painter and calligraphist. <br />The method of tile-make is diaphoretic mostly in harmony with brick-made. Although the ornament of bathroom is tile in seven color whit various Natural, herbaceous and human, brutal paints-design .Gandj Ali khan’s complex, as a one of the most beautiful cases of Iranian Architecture and ornament in Safavid Art, consists square – Gendj Ali khan’s inn- whit inn, mosque, bath, water cistern that have placed in corners of square , and Bazar has situated around it. <br />Each part of set is a valuable Architecture work with various ornament of Safavid . <br />The Pleasant and two floor’s building of inn have ornaments compound of brick and tile that in comparison the other Safavid form are especial elegant. Natural, herbaceous paints-design and human, brutal paints-design are various. East and west effects are in harmony and elegance with Iranian true born completely . <br />There are paint and brick-made work on gypsume in bathroom and water cistern that are different whit the Safavid ornament in Esfahan or the other cities, such as bathroom’s portal and Charsugh of Bazar . Theme of these elements is natural and imaginary subject of popular paints. The paints of Gendj Ali khan ’s mosque that are exceptional works ,will be discuss in another paper. <br />One of the especial ornament of inn is inscription’s portal, signed by Reza Abbasi- the famous Safavid painter and calligraphist. <br />The method of tile-make is diaphoretic mostly in harmony with brick-made. Although the ornament of bathroom is tile in seven color whit various Natural, herbaceous and human, brutal paints-design .http://www.bagh-sj.com/article_52_df3068f007cd8324cf2d6a46d7f4671d.pdfNazar Research Center for Art, Architecture and Urbanism (NRC)The Monthly Scientific Journal of Bagh-e Nazar1735-96355920080601An Analectic View to Learning and Designing EnvironmentAn Analectic View to Learning and Designing Environment516453FAMojtaba Ansari0000-0002-5085-8684Mohammad ShahidiTarbiat ModarresMehrzad YalpanianJournal Article20110820<span style="color: #141823; line-height: 17.94px; font-family: Helvetica, Arial,; font-size: 13px; white-space: pre-wrap;">It is necessary for landscape architects to use many different disciplines for developing environment. Based on their aptness, landscape architects can achieve better consequences in the process of landscape designing. Landscape planners should use creative process and consider both artistic and also executive aspects. So according to these facts, this review paper would glance over the history of landscape architecture such as Yan Mcharg Model and represent some relative diagrams and then will give some suggestion by using the aforesaid approaches.</span><span style="color: #141823; line-height: 17.94px; font-family: Helvetica, Arial,; font-size: 13px; white-space: pre-wrap;">It is necessary for landscape architects to use many different disciplines for developing environment. Based on their aptness, landscape architects can achieve better consequences in the process of landscape designing. Landscape planners should use creative process and consider both artistic and also executive aspects. So according to these facts, this review paper would glance over the history of landscape architecture such as Yan Mcharg Model and represent some relative diagrams and then will give some suggestion by using the aforesaid approaches.</span>http://www.bagh-sj.com/article_53_b243a2fd74753b2966379f48dcd69ea1.pdfNazar Research Center for Art, Architecture and Urbanism (NRC)The Monthly Scientific Journal of Bagh-e Nazar1735-96355920080601The Landscape Architecture Process, From the Past by NowThe Landscape Architecture Process, From the Past by Now658054FAMohsen Faizi0000000310220990Mahdi KhakzandJournal Article20110820In fact, the basic questions of architecture can not be explained through any kind of effort in developing scientific designing procedures. In the recent decades many attempts have taken place for the improvement of design process and procedures. No exact and systematic procedure (except a few cases) has been presented yet and most procedures refer to the application methods or a part of designing. Design procedures are usually drawn as a set of separate parts that follow one another in a continuous set. Some of the architects suggest a circular pattern in design procedure, like Jones’ circular pattern for architecture designing. This circulation of organized steps is an arranged pattern in the procedure of designing. However, various definitions of landscape architecture signifies how wide this field of study is, therefore, sometimes these definitions do not have any strong scientific basis. In this article, after reviewing the essentials of landscape design and the two approaches of SAD and PAKILDA are analyzed.In fact, the basic questions of architecture can not be explained through any kind of effort in developing scientific designing procedures. In the recent decades many attempts have taken place for the improvement of design process and procedures. No exact and systematic procedure (except a few cases) has been presented yet and most procedures refer to the application methods or a part of designing. Design procedures are usually drawn as a set of separate parts that follow one another in a continuous set. Some of the architects suggest a circular pattern in design procedure, like Jones’ circular pattern for architecture designing. This circulation of organized steps is an arranged pattern in the procedure of designing. However, various definitions of landscape architecture signifies how wide this field of study is, therefore, sometimes these definitions do not have any strong scientific basis. In this article, after reviewing the essentials of landscape design and the two approaches of SAD and PAKILDA are analyzed.http://www.bagh-sj.com/article_54_98801e47cc6fd4f13927df479b7094b8.pdfNazar Research Center for Art, Architecture and Urbanism (NRC)The Monthly Scientific Journal of Bagh-e Nazar1735-96355920080601landscape, place, historylandscape, place, history714FAMaryam Mansouri0000-0002-1413-3483Journal Article20120229http://www.bagh-sj.com/article_714_39c8db56b0b4f8d9b2dabe37146f34da.pdf